Fordham


IHSP

Medieval History


Selected Sources Full Text Sources Saints' Lives Law Texts Maps Medieval Films Search Help


Selected Sources Sections Studying History End of Rome Byzantium Islam Roman Church Early Germans Anglo-Saxons Celtic World Carolingians 10 C Collapse Economic Life Crusades Empire & Papacy France England Celtic States Nordic Europe Iberia Italy Eastern Europe Intellectual Life Medieval Church Jewish Life Social History Sex & Gender States & Society Renaissance Reformation Exploration
IHSP Credits

Medieval Sourcebook:
Chrétien de Troyes, Lancelot, c. 1170


Here is a good example of 'feminine chivalry' from the twelfth century author, and client of Countess Marie de Champagne (one of Eleanor of Aquitaine's daughters), Chrétien de Troyes. Here are Chrétien's introductory paragraph, plus three episodes from Lancelot's journey to rescue the kidnapped Queen Guinevere. His journey produced many trials which showed the strength of his love, and his willingness to suffer for Guinevere's sake.


Chrétien's Introductory paragraph

(Vv. 1-30.) Since my lady of Champagne wishes me to undertake to write a romance, (1) I shall very gladly do so, being so devoted to her service as to do anything in the world for her, without any intention of flattery. But if one were to introduce any flattery upon such an occasion, he might say, and I would subscribe to it, that this lady surpasses all others who are alive, just as the south wind which blows in May or April is more lovely than any other wind. But upon my word, I am not one to wish to flatter my lady. I will simply say: "The Countess is worth as many queens as a gem is worth of pearls and sards." Nay I shall make no comparison, and yet it is true in spite of me; I will say, however, that her command has more to do with this work than any thought or pains that I may expend upon it. Here Chretien begins his book about the Knight of the Cart. The material and the treatment of it are given and furnished to him by the Countess, and he is simply trying to carry out her concern and intention. Here he begins the story.

Lancelot and another woman!

Lancelot came upon a (nameless) damsel who knew what had happened to the Queen, what road to take to find her, and something about the hazards along the way. The damsel herself turned out to be a formidable test of Lancelot's love for the Queen.

Then the damsel said to him: "Sire, my house is prepared for you, if you will accept my hospitality, but you shall find shelter there only on condition that you will lie with me; upon these terms I propose and make the offer." Not a few there are who would have thanked her five hundred times for such a gift; but he is much displeased, and made a very different answer: "Damsel, I thank you for the offer of your house, and esteem it highly, but, if you please, I should be very sorry to lie with you." "By my eyes," the damsel says, "then I retract my offer." And he, since it is unavoidable, lets her have her way, though his heart grieves to give consent. He feels only reluctance now; but greater distress will be his when it is time to go to bed. The damsel, too, who leads him away, will pass through sorrow and heaviness. For it is possible that she will love him so that she will not wish to part with him. As soon as he had granted her wish and desire, she escorts him to a fortified place, than which there was none fairer in Thessaly; for it was entirely enclosed by a high wall and a deep moat, and there was no man within except him whom she brought with her.

(Vv. 983-1042.) Here she had constructed for her residence a quantity of handsome rooms, and a large and roomy hall. Riding along a river bank, they approached their lodging-place, and a drawbridge was lowered to allow them to pass. Crossing the bridge, they entered in, and found the hall open with its roof of tiles. Through the open door they pass, and see a table laid with a broad white cloth, upon which the dishes were set, and the candles burning in their stands, and the gilded silver drinking- cups, and two pots of wine, one red and one white. Standing beside the table, at the end of a bench, they found two basins of warm water in which to wash their hands, with a richly embroidered towel, all white and clean, with which to dry their hands. No valets, servants, or squires were to be found or seen. The knight, removing his shield from about his neck, hangs it upon a hook, and, taking his lance, lays it above upon a rack. Then he dismounts from his horse, as does the damsel from hers. The knight, for his part, was pleased that she did not care to wait for him to help her to dismount. Having dismounted, she runs directly to a room and brings him a short mantle of scarlet cloth which she puts on him. The hall was by no means dark; for beside the light from the stars, there were many large twisted candles lighted there, so that the illumination was very bright. When she had thrown the mantle about his shoulders, she said to him: "Friend, here is the water and the towel; there is no one to present or offer it to you except me whom you see. Wash your hands, and then sit down, when you feel like doing so. The hour and the meal, as you can see, demand that you should do so." He washes, and then gladly and readily takes his seat, and she sits down beside him, and they eat and drink together, until the time comes to leave the table.

(Vv. 1043-1206.) When they had risen from the table, the damsel said to the knight: "Sire, if you do not object, go outside and amuse yourself; but, if you please, do not stay after you think I must be in bed. Feel no concern or embarrassment; for then you may come to me at once, if you will keep the promise you have made." And he replies: "I will keep my word, and will return when I think the time has come." Then he went out, and stayed in the courtyard until he thought it was time to return and keep the promise he had made. Going back into the hall, he sees nothing of her who would be his mistress; for she was not there. Not finding or seeing her, he said: "Wherever she may be, I shall look for her until I find her." He makes no delay in his search, being bound by the promise he had made her. Entering one of the rooms, he hears a damsel cry aloud, and it was the very one with whom he was about to lie. At the same time, he sees the door of another room standing open, and stepping toward it, he sees right before his eyes a knight who had thrown her down, and was holding her naked and prostrate upon the bed. She, thinking that he had come of course to help her, cried aloud: "Help, help, thou knight, who art my guest. If thou dost not take this man away from me, I shall find no one to do so; if thou dost not succour me speedily, he will wrong me before thy eyes. Thou art the one to lie with me, in accordance with thy promise; and shall this man by force accomplish his wish before thy eyes? Gentle knight, exert thyself, and make haste to bear me aid." He sees that the other man held the damsel brutally uncovered to the waist, and he is ashamed and angered to see him assault her so; yet it is not jealousy he feels, nor will he be made a cuckold by him. At the door there stood as guards two knights completely armed and with swords drawn. Behind them there stood four men-at-arms, each armed with an axe the sort with which you could split a cow down the back as easily as a root of juniper or broom. The knight hesitated at the door, and thought: "God, what can I do? I am engaged in no less an affair than the quest of Queen Guinevere. I ought not to have the heart of a hare, when for her sake I have engaged in such a quest. If cowardice puts its heart in me, and if I follow its dictates, I shall never attain what I seek. I am disgraced, if I stand here; indeed, I am ashamed even to have thought of holding back. My heart is very sad and oppressed: now I am so ashamed and distressed that I would gladly die for having hesitated here so long. I say it not in pride: but may God have mercy on me if I do not prefer to die honourably rather than live a life of shame! If my path were unobstructed, and if these men gave me leave to pass through without restraint, what honour would I gain? Truly, in that case the greatest coward alive would pass through; and all the while I hear this poor creature calling for help constantly, and reminding me of my promise, and reproaching me with bitter taunts." Then he steps to the door, thrusting in his head and shoulders; glancing up, he sees two swords descending. He draws back, and the knights could not check their strokes: they had wielded them with such force that the swords struck the floor, and both were broken in pieces. When he sees that the swords are broken, he pays less attention to the axes, fearing and dreading them much less. Rushing in among them, he strikes first one guard in the side and then another. The two who are nearest him he jostles and thrusts aside, throwing them both down flat; the third missed his stroke at him, but the fourth, who attacked him, strikes him so that he cuts his mantle and shirt, and slices the white flesh on his shoulder so that the blood trickles down from the wound. But he, without delay, and without complaining of his wound, presses on more rapidly, until he strikes between the temples him who was assaulting his hostess. Before he departs, he will try to keep his pledge to her. He makes him stand up reluctantly. Meanwhile, he who had missed striking him comes at him as fast as he can and, raising his arm again, expects to split his head to the teeth with the axe. But the other, alert to defend himself, thrusts the knight toward him in such a way that he receives the axe just where the shoulder joins the neck, so that they are cleaved apart. Then the knight seizes the axe, wresting it quickly from him who holds it; then he lets go the knight whom he still held, and looks to his own defence; for the knights from the door, and the three men with axes are all attacking him fiercely. So he leaped quickly between the bed and the wall, and called to them: "Come on now, all of you. If there were thirty- seven of you, you would have all the fight you wish, with me so favourably placed; I shall never be overcome by you." And the damsel watching him, exclaimed: "By my eyes, you need have no thought of that henceforth where I am." Then at once she dismisses the knights and the men-at-arms, who retire from there at once, without delay or objection. And the damsel continues: "Sire you have well defended me against the men of my household. Come now, and I'll lead you on." Hand in hand they enter the hall, but he was not at all pleased, and would have willingly dispensed with her.

(Vv. 1207-1292.) In the midst of the hall a bed had been set up, the sheets of which were by no means soiled, but were white and wide and well spread out. The bed was not of shredded straw or of coarse spreads. But a covering of two silk cloths had been laid upon the couch. The damsel lay down first, but without removing her chemise. He had great trouble in removing his hose and in untying the knots. He sweated with the trouble of it all; yet, in the midst of all the trouble, his promise impels and drives him on. Is this then an actual force? Yes, virtually so; for he feels that he is in duty bound to take his place by the damsel's side. It is his promise that urges him and dictates his act. So he lies down at once, but like her, he does not remove his shirt. He takes good care not to touch her; and when he is in bed, he turns away from her as far as possible, and speaks not a word to her, like a monk to whom speech is forbidden. Not once does he look at her, nor show her any courtesy. Why not? Because his heart does not go out to her. She was certainly very fair and winsome, but not every one is pleased and touched by what is fair and winsome. The knight has only one heart, and this one is really no longer his, but has been entrusted to some one else, so that he cannot bestow it elsewhere. Love, which holds all hearts beneath its sway, requires it to be lodged in a single place. All hearts? No, only those which it esteems. And he whom love deigns to control ought to prize himself the more. Love prized his heart so highly that it constrained it in a special manner, and made him so proud of this distinction that I am not inclined to find fault with him, if he lets alone what love forbids, and remains fixed where it desires. The maiden clearly sees and knows that he dislikes her company and would gladly dispense with it, and that, having no desire to win her love, he would not attempt to woo her. So she said: "My lord, if you will not feel hurt, I will leave and return to bed in my own room, and you will be more comfortable. I do not believe that you are pleased with my company and society. Do not esteem me less if I tell you what I think. Now take your rest all night, for you have so well kept your promise that I have no right to make further request of you. So I commend you to God; and shall go away." Thereupon she arises: the knight does not object, but rather gladly lets her go, like one who is the devoted lover of some one else; the damsel clearly perceived this, and went to her room, where she undressed completely and retired, saying to herself: "Of all the knights I have ever known, I never knew a single knight whom I would value the third part of an angevin in comparison with this one. As I understand the case, he has on hand a more perilous and grave affair than any ever undertaken by a knight; and may God grant that he succeed in it." Then she fell asleep, and remained in bed until the next day's dawn appeared.

The Sword Bridge

Here was one of many physical obstacles in Lancelot's path.

(Vv. 3021-3194.) At the end of this very difficult bridge they dismount from their steeds and gaze at the wicked-looking stream, which is as swift and raging, as black and turgid, as fierce and terrible as if it were the devil's stream; and it is so dangerous and bottomless that anything failing into it would be as completely lost as if it fell into the salt sea. And the bridge, which spans it, is different from any other bridge; for there never was such a one as this. If any one asks of me the truth, there never was such a bad bridge, nor one whose flooring was so bad. The bridge across the cold stream consisted of a polished, gleaming sword; but the sword was stout and stiff, and was as long as two lances. At each end there was a tree-trunk in which the sword was firmly fixed. No one need fear to fall because of its breaking or bending, for its excellence was such that it could support a great weight. But the two knights who were with the third were much discouraged; for they surmised that two lions or two leopards would be found tied to a great rock at the other end of the bridge. The water and the bridge and the lions combine so to terrify them that they both tremble with fear, and say: "Fair sire, consider well what confronts you; for it is necessary and needful to do so. This bridge is badly made and built, and the construction of it is bad. If you do not change your mind in time, it will be too late to repent. You must consider which of several alternatives you will choose. Suppose that you once get across (but that cannot possibly come to pass, any more than one could hold in the winds and forbid them to blow, or keep the birds from singing, or re-enter one's mother's womb and be born again -- all of which is as impossible as to empty the sea of its water); but even supposing that you got across, can you think and suppose that those two fierce lions that are chained on the other side will not kill you, and suck the blood from your veins, and eat your flesh and then gnaw your bones? For my part, I am bold enough, when I even dare to look and gaze at them. If you do not take care, they will certainly devour you. Your body will soon be torn and rent apart, for they will show you no mercy. So take pity on us now, and stay here in our company! It would be wrong for you to expose yourself intentionally to such mortal peril." And he, laughing, replies to them: "Gentlemen, receive my thanks and gratitude for the concern you feel for me: it comes from your love and kind hearts. I know full well that you would not like to see any mishap come to me; but I have faith and confidence in God, that He will protect me to the end. I fear the bridge and stream no more than I fear this dry land; so I intend to prepare and make the dangerous attempt to cross. I would rather die than turn back now." The others have nothing more to say; but each weeps with pity and heaves a sigh. Meanwhile he prepares, as best he may, to cross the stream, and he does a very marvellous thing in removing the armour from his feet and hands. He will be in a sorry state when he reaches the other side. He is going to support himself with his bare hands and feet upon the sword, which was sharper than a scythe, for he had not kept on his feet either sole or upper or hose. But he felt no fear of wounds upon his hands or feet; he preferred to maim himself rather than to fall from the bridge and be plunged in the water from which he could never escape. In accordance with this determination, he passes over with great pain and agony, being wounded in the hands, knees, and feet. But even this suffering is sweet to him: for Love, who conducts and leads him on, assuages and relieves the pain.

Lancelot and Guinevere
[The end of the quest, or the beginning of the trouble?]

(Vv. 4441-4530.) ...and the Queen yearns ardently for the arrival of her lover and her joy. She has no desire this time to bear him any grudge. But rumour, which never rests but runs always unceasingly, again reaches the Queen to the effect that Lancelot would have killed himself for her sake, if he had had the chance. She is happy at the thought that this is true, but she would not have had it happen so for anything, for her sorrow would have been too great. Thereupon Lancelot arrived in haste. (22)
-------- This time the Queen did not lower her eyes to the ground, but she went to meet him cheerfully, honouring him all she could, and making him sit down by her side. Then they talked together at length of all that was upon their hearts, and love furnished them with so much to say that topics did not lack. And when Lancelot sees how well he stands, and that all he says finds favour with the Queen, he says to her in confidence: "Lady, I marvel greatly why you received me with such a countenance when you saw me the day before yesterday, and why you would not speak a word to me: I almost died of the blow you gave me, and I had not the courage to dare to question you about it, as I now venture to do. I am ready now, lady, to make amends, when you have told me what has been the crime which has caused me such distress." Then the Queen replies: "What? Did you not hesitate for shame to mount the cart? You showed you were loath to get in, when you hesitated for two whole steps. That is the reason why I would neither address nor look at you." "May God save me from such a crime again," Lancelot replies, "and may God show me no mercy, if you were not quite right! For God's sake, lady, receive my amends at once, and tell me, for God's sake, if you can ever pardon me." "Friend, you are quite forgiven," the Queen replies; "I pardon you willingly." "Thank you for that, lady," he then says; "but I cannot tell you here all that I should like to say; I should like to talk with you more at leisure, if possible." Then the Queen indicates a window by her glance rather than with her finger, and says: "Come through the garden to-night and speak with me at yonder window, when every one inside has gone to sleep. You will not be able to get in: I shall be inside and you outside: to gain entrance will be impossible. I shall be able to touch you only with my lips or hand, but, if you please, I will stay there until morning for love of you. Our bodies cannot be joined, for close beside me in my room lies Kay the seneschal, who is still suffering from his wounds. And the door is not open, but is tightly closed and guarded well. When you come, take care to let no spy catch sight of you." "Lady," says he, "if I can help it, no spy shall see me who might think or speak evil of us." Then, having agreed upon this plan, they separate very joyfully.

(Vv. 4551-4650.) Lancelot leaves the room in such a happy frame that all his past troubles are forgotten. But he was so impatient for the night to come that his restlessness made the day seem longer than a hundred ordinary days or than an entire year. If night had only come, he would gladly have gone to the trysting place. Dark and sombre night at last won its struggle with the day, and wrapped it up in its covering, and laid it away beneath its cloak. When he saw the light of day obscured, he pretended to be tired and worn, and said that, in view of his protracted vigils, he needed rest. You, who have ever done the same, may well understand and guess that he pretends to be tired and goes to bed in order to deceive the people of the house; but he cared nothing about his bed, nor would he have sought rest there for anything, for he could not have done so and would not have dared, and furthermore he would not have cared to possess the courage or the power to do so. Soon he softly rose, and was pleased to find that no moon or star was shining, and that in the house there was no candle, lamp, or lantern burning. Thus he went out and looked about, but there was no one on the watch for him, for all thought that he would sleep in his bed all night. Without escort or company he quickly went out into the garden, meeting no one on the way, and he was so fortunate as to find that a part of the garden-wall had recently fallen down. Through this break he passes quickly and proceeds to the window, where he stands, taking good care not to cough or sneeze, until the Queen arrives clad in a very white chemise. She wore no cloak or coat, but had thrown over her a short cape of scarlet cloth and shrew-mouse fur. As soon as Lancelot saw the Queen leaning on the window-sill behind the great iron bars, he honoured her with a gentle salute. She promptly returned his greeting, for he was desirous of her, and she of him. Their talk and conversation are not of vulgar, tiresome affairs. They draw close to one another, until each holds the other's hand. But they are so distressed at not being able to come together more completely, that they curse the iron bars. Then Lancelot asserts that, with the Queen's consent, he will come inside to be with her, and that the bars cannot keep him out. And the Queen replies: "Do you not see how the bars are stiff to bend and hard to break? You could never so twist, pull or drag at them as to dislodge one of them." "Lady," says he, "have no fear of that. It would take more than these bars to keep me out. Nothing but your command could thwart my power to come to you. If you will but grant me your permission, the way will open before me. But if it is not your pleasure, then the way is so obstructed that I could not possibly pass through." "Certainly," she says, "I consent. My will need not stand in your way; but you must wait until I retire to my bed again, so that no harm may come to you, for it would be no joke or jest if the seneschal, who is sleeping here, should wake up on hearing you. So it is best for me to withdraw, for no good could come of it, if he should see me standing here." "Go then, lady," he replies; "but have no fear that I shall make any noise. I think I can draw out the bars so softly and with so little effort that no one shall be aroused."

(Vv. 4651-4754.) Then the Queen retires, and he prepares to loosen the window. Seizing the bars, he pulls and wrenches them until he makes them bend and drags them from their places. But the iron was so sharp that the end of his little finger was cut to the nerve, and the first joint of the next finger was torn; but he who is intent upon something else paid no heed to any of his wounds or to the blood which trickled down. Though the window is not low, Lancelot gets through it quickly and easily. First he finds Kay asleep in his bed, then he comes to the bed of the Queen, whom he adores and before whom he kneels, holding her more dear than the relic of any saint. And the Queen extends her arms to him and, embracing him, presses him tightly against her bosom, drawing him into the bed beside her and showing him every possible satisfaction; her love and her heart go out to him. It is love that prompts her to treat him so; and if she feels great love for him, he feels a hundred thousand times as much for her. For there is no love at all in other hearts compared with what there is in his; in his heart love was so completely embodied that it was niggardly toward all other hearts. Now Lancelot possesses all he wants, when the Queen voluntarily seeks his company and love, and when he holds her in his arms, and she holds him in hers. Their sport is so agreeable and sweet, as they kiss and fondle each other, that in truth such a marvellous joy comes over them as was never heard or known. But their joy will not be revealed by me, for in a story, it has no place. Yet, the most choice and delightful satisfaction was precisely that of which our story must not speak. That night Lancelot's joy and pleasure were very great. But, to his sorrow, day comes when he must leave his mistress' side. It cost him such pain to leave her that he suffered a real martyr's agony. His heart now stays where the Queen remains; he has not the power to lead it away, for it finds such pleasure in the Queen that it has no desire to leave her: so his body goes, and his heart remains.


Source.

This text is part of the Online Medieval and Classical Library at Berkeley. It comes from the 1914 translation by W.W. Comfort.  See Lancelot,


This text is part of the Internet Medieval Source Book. The Sourcebook is a collection of public domain and copy-permitted texts related to medieval and Byzantine history.

Unless otherwise indicated the specific electronic form of the document is copyright. Permission is granted for electronic copying, distribution in print form for educational purposes and personal use. If you do reduplicate the document, indicate the source. No permission is granted for commercial use.

© Paul Halsall, July 1998
[email protected]

 



The Internet History Sourcebooks Project is located at the History Department of  Fordham University, New York. The Internet Medieval Sourcebook, and other medieval components of the project, are located at the Fordham University Center for Medieval Studies.The IHSP recognizes the contribution of Fordham University, the Fordham University History Department, and the Fordham Center for Medieval Studies in providing web space and server support for the project. The IHSP is a project independent of Fordham University.  Although the IHSP seeks to follow all applicable copyright law, Fordham University is not the institutional owner, and is not liable as the result of any legal action.

© Site Concept and Design: Paul Halsall created 26 Jan 1996: latest revision 11 March 2024 [CV]