THE sky favored the celebration of the day by the finest weather. At seven in the
morning the city was already deserted, for the crowd had flowed to the Kremlin, whose
gates were still closed; they opened to us at eight o'clock.
We found in Their Majesties' antechamber an army of gold-embroidered chamberlains, the
high court functionaries with their eight-foot-long golden maces, and all the ladies in
the national dress. The color of the manteaux is different at different
courts---scarlet with gold, silver, blue, amaranth, etc., so that even with the uniform
cut there is an agreeable variety in the colors. The headdress is ornamented according to
the wealth and taste of the individual---with gold, diamonds, stones, or pearls. The only
chair was occupied in turn by several very old ladies, who had been standing since seven
o'clock, and, from their rich toilets, may have been dressing since four.
At nine o'clock the doors of the imperial rooms were opened; the flock of the
chamberlains set itself in motion; the empress-mother appeared, supported by her two
youngest sons. She wore a close crown entirely of diamonds, an ermine mantle of gold
material, the train of which was borne by six chamberlains, and which was fastened by a
magnificent diamond chain. The slight figure, the cameo profile, the majestic carriage of
the illustrious woman, the joyful seriousness of her features, called forth the
unconscious admiration of every one. On the previous evening she had assembled all her
children and blessed them. She was followed by the hereditary grand duke, the grand dukes
and grand duchesses, Prince Frederic William, Prince Frederic of the Netherlands,
Alexander of Hesse, and the other royal princes, then their suites, and after us the
ladies. The procession passed through the halls of Alexander, Vladimir, and George, which
together make a length of about five hundred feet. On the left paraded the Palace
Grenadiers, the Chevalier Guards, the Cuirassiers, with shining breastplates, deputations
from the other cavalry and infantry regiments---all with standards and flags and bright
arms. To the right were all the officers.
Upon the Krasnoi Krytzow, the great outside steps, covered with scarlet cloth that
leads from the old Palace of the Czars into the Court of Relics, a baldachin of gold
brocade was awaiting the empress. It was supported by eight poles borne by chamberlains
and adjutant-generals. It was a beautiful sight in the sun. Behind the troops stood the
bearded populace, with heads uncovered, close together, but without crowding.
The court is surrounded by three principal churches---the Ascension, Archangel, and
Annunciation churches; then of Ivan Veliki and a high railing. The tribunes for the
spectators rose nearly to the height of the building, where were seated ladies and
gentlemen in their best clothes. All the innumerable bells of Moscow were ringing; but the
roaring of the great Wetschewoi (the giant bell of Novgorod), the clashing of the
trumpets, and the endless rejoicings of the multitude inside and outside of the court,
prevented us from hearing them. The noise of the cannons alone penetrated through the
hubbub.
When we reached the bottom of the stairs, I was enabled to turn and get a view of the
beautiful procession of ladies descending. When we reached the Uspenski Sabor, we found
the diplomatic corps assembled, and took our standing-places on the tribune prepared for
us, which rose upon three sides of the cathedral. The fourth side is occupied by the ikonostase,
behind which the altar is situated. Opposite to this was the throne on a carpeted
platform, with two seats under a magnificent baldachin. The empress-mother took a seat
especially arranged for her to the right of the throne. The princes stood up on the left.
The church, as I have mentioned before, is small, only able to accommodate a limited
number of spectators, and there was perfect order. The sun shone brightly through the
windows, and was reflected by the gilding that covered all the walls and pillars up to the
dome. So it was bright, and I was near enough to see all the principal transactions.
Then the regalia were brought in by the highest military and civil officials---the
imperial banner with the double-eagle of Byzantium, the great seal (a great steel plate
without any other ornament), the sword of the Empire, the coronation robes of both Their
Majesties, the imperial globe with a cross belt of great diamonds (Severin served it upon
a drap-d'or cushion), the scepter with the well-known great Lazaref diamond---which
stands second in size only to the Kohinoor (mountain of light), the Prince Regent, and
perhaps one or two others---and, finally, the two crowns. The large one of the emperor is
formed by a bow from front to back of diamonds, and trimmed with a row of very great
pearls. The bow has a cross in which is a ruby of inestimable value. This stone is an inch
long, about half an inch wide, and a quarter of an inch thick, but irregular and not cut.
From the band around the head rise on either side two covers which fasten on to the bow,
so that one sees nothing of the velvet cap that is inside. The band and the sides are
entirely of diamonds, of considerable size and the finest water. It glitters with every
color in the sun. The empress's crown is similar, but smaller, and it did not seem easy to
keep it on the top of her head, where it was fastened with diamond hairpins.
Now the cross was carried from the church toward the approaching emperor, and the
Metropolitan of Moscow sprinkled his path with holy water. Their Majesties bowed three
times toward the gate of the sanctuary, and then took their seats upon the throne; the
high church dignitaries filled the space from the throne to the middle door of the ikonostase;
and the choir struck up the psalm "Misericordiam." I have already written
you of the affecting beauty of the Russian church songs, executed by male voices without
instrumental accompaniment. They are very old, and have been collected from the East, and
differ widely from the poor hymns of the Protestant and from the opera-music of the
Catholic Church. The singers are extraordinarily trained, and one hears almost incredible
bass voices, which echo with imposing strength from the firm walls and domes of this
limited space.
Since Peter I incorporated the patriarchal power, the metropolitan is the highest
priest of this great empire, at this time the handsome but already decrepit old
Philaretes, who crowned the Emperor Nicholas I. It is of great importance for a high
priest to have a strong bass voice: the voice of the old metropolitan could scarcely be
heard, when he requested the emperor to say the creed. As soon as this was done, the
emperor was invested with the coronation mantle, consisting of the richest gold brocade
lined with ermine. He bowed his head, and remained in this position while the metropolitan
laid his hands on his head and gave two long benedictions. Then the emperor called for the
crown, placed it himself upon his head, took the scepter in his right hand, the imperial
globe in his left, and seated himself upon the throne. Thereupon the empress stood before
him and knelt down. The emperor takes the crown from his head and touches the empress with
it, after which she is also invested with mantle and crown, and seats herself on the
throne to the left of her spouse.
It was beautiful to see the intense interest with which the stately old empress-mother
followed all the ceremonies. Meanwhile her youngest son was always at her side, supported
her, wrapped the ermine about her that she might not take cold. The wife of a North
American diplomat fainted near me, the Grand Duchess Helene fell into the grand duke's
arms, but the old mother of the emperor remained steady. Then she arose and firmly
ascended the steps of the throne, the glittering crown upon her head and her gold brocaded
mantle trailing behind her. Before all the world she embraced her first-born son and
blessed him. The emperor kissed her hands. Then followed the grand dukes and princes with
low bows; the emperor embraced them. Meanwhile the Domine salve fac imperatorem was
sung, all the church-bells were ringing, and hundreds of cannon made the windows tremble.
All present bowed low three times. Then the monarch divests himself of the imperial robes,
descends from the throne, and kneels to pray. After he has risen, all present kneel or bow
their heads to pray for the welfare of the new emperor.
No mortal man has such power in his hands as the absolute monarch of the tenth part of
all the inhabitants of the earth, whose scepter reaches over four quarters of the globe,
and who rules over Christians and Jews, Mussulmans, and pagans. Why should one not pray to
God heartily to enlighten the man whose will is law to sixty millions of people, whose
word commands from the Chinese wall to the Weichsel, from the Arctic Ocean to Mount
Ararat; for whose call a half-million soldiers wait, and who has just given peace to
Europe? May he be successful in the innumerable conquests still to be made in the interior
of this great empire, and may he always remain a strong supporter of lawful regulations!
Now followed the Te Deum and the long mass after the Greek ritual. At the close
of the mass, the emperor descends the steps of the throne without ornaments or arms, and
enters the sanctuary through the czar's gate, where he receives the communion exactly as
the priests. The empress receives it afterward outside of the door. Then follows the
anointment with oil on the forehead, eyelids, lips, ears, breast, and hands, by the
Metropolitan of Moscow, from a costly vessel. The Bishops of Novgorod and Moscow wipe off
the traces. Their Majesties take their seat again on the throne, and resume their crowns,
robes, and the great diamond chain of the Alexander Nevsky Order. From this moment they
are the anointed of the Lord, and the ceremony is over.
Source:
From: Eva March Tappan, ed., The World's Story: A History of the World in Story,
Song and Art, (Boston: Houghton Mifflin, 1914), Vol. VI: Russia, Austria-Hungary,
The Balkan States, and Turkey, pp. 201-207.
Scanned by Jerome S. Arkenberg, Cal. State Fullerton.
This text is part of the Internet
Modern History Sourcebook. The Sourcebook is a collection of public domain and
copy-permitted texts for introductory level classes in modern European and World history.
Unless otherwise indicated the specific electronic form of the document is copyright.
Permission is granted for electronic copying, distribution in print form for educational
purposes and personal use. If you do reduplicate the document, indicate the source. No
permission is granted for commercial use of the Sourcebook.
© Paul Halsall, November 1998